I spent half a day in Cleveland recently and I’m very glad part of the time was spent at the (free) Cleveland Museum of Art. The Italian Renaissance room, in particular, was wonderful. On one side were paintings in which the human form appeared bright and idealized. On the opposing were more naturalistic paintings and in the center was this one by Caravaggio.
It’s readily apparent that this is not a depiction of Christ’s crucifixion–the rope on the subject’s arms and his age suggest another crucifixion. I wasn’t familiar enough with Church tradition to identify this as St. Andrew but the description remedied my ignorance. Perhaps because I’m much more familiar with scenes of Christ’s crucifixion, as I looked at this painting I kept comparing it to those I’d seen before. Similarities and dissimilarities are evident at once. St. Andrew, like Christ, is the focus of the piece, and yet one senses that the true center lies outside the frame, as his eyes and the light on the right suggest. In both there is contorted flesh but blood is notably absent from this picture. One’s eyes are drawn immediately to St. Andrew’s right side–the spot where Christ was pierced–only to see that it is unharmed.
Jesus said, “If anyone would come after me, let him deny himself and take up his cross and follow me.” As Lent begins I hope to carry this image with me as a reminder that discipleship is loving imitation, and not a replacement, of what Jesus did for us.